Tagged: mike essoudry
I met Ryan Purchase in grade 9 (we were 15), at Campbell Collegiate, in Regina. We hit it off immediately because we were both really into the Hitchhiker’s Guide to the Galaxy, as well as the Lord of the Rings. I remember going over to his house and playing the HHGTTG text-based video game (which you can now play online – for free!! But be warned – it’s INFURIATING!!!), and listening to a lot of music – I’m pretty sure Ryan was the one who introduced me to Dread Zeppelin (oh yeah, we were both big Led Zeppelin fans). Basically, we liked all the same stuff – the only area we ever differed was Dr Who, which I never got into. We acted very silly in class, not exactly tormenting the teachers, but probably annoying and confusing them a lot. Mr Ransom, our French teacher, in particular. For example, a class exercise involving the phrase “j’aime le rosbif” spawned a whole four years of roast-beef-centered conversations, as well as roast beef sandwiches left on his desk as gifts.
We also both played in the South Saskatchewan Youth Orchestra (Ryan plays the trombone), we both went to the University of Regina for our B.Mus. degrees, we both played in the Regina Symphony Orchestra, and we lived in Toronto at the same time (Ryan for the two years of his M.Mus. at University of Toronto, me only for one year for the first year of an Artist Diploma at the Glenn Gould School of Music). We haven’t lived in the same city since, though – Ryan lived in Edmonton for many years, and eventually moved to Ottawa, while I travelled all over the place working on cruise ships for a few years, lived in Krakow for a year, then Vancouver for two years, and eventually settled in Montreal.
In 2004, we spent most of the month of May backpacking in Iceland. This was a life-changing experience for both of us. It’s imprinted so strongly on my psyche that it still feels like it just happened, even though it was more than a decade ago. We backpacked throughout the southern part of the country, where it was usually quite easy to find rides and places to stay, although we ended up several times at the hostel in Vik (the town at the southernmost point of the country, famous for it’s huge cliff overlooking a black sand beach and the rock figures in the water, which legend tells us are three trolls who were caught in the morning light after struggling to pull a captured ship to shore). We met tons of amazing people, both locals and travellers. There were two Scandinavian women around our age driving the circumference of Iceland who we bumped into several times and in several places throughout our trip!
When we wanted to go to the more remote areas in the north of the country, we rented a car for a week, a Volkswagon Golf which we named after the young woman who worked at the Vik hostel, Aesa. Unfortunately, the car rental used up our accommodations budget, so we slept in the car the whole time (except for one night in Siglufjordur, where we went to a hotel and had the whole place to ourselves). As uncomfortable as it was for the two of us to sleep in such a small car when it was still below freezing at night, we awoke in some pretty amazing places. Although once we woke up to discover we had slept in a school parking lot, that was more funny than amazing.
As you can probably imagine, Ryan and I have musically collaborated many times over the years. We’ve both attended KlezKanada many times, which is where I met a lot of musicians I play with regularly. We’re both into improvised music, and even though we’ve explored it in different ways, we have performed many times together, often through the IMOO series in Ottawa. Ryan recently released an album, Morphology of a Lover, which is pretty amazing, as was the entire process. He assembled a bunch of great improvisers (me, Mike Essoudry, Amy Horvey, Megan Jerome, Christian Dawid, and Ryan), and recorded us individually but in sequence, having either just an idea in our minds to explore, or sometimes a recording of only the previous person, which we reacted to. He then took all these separate improvised elements, and edited them together to create an incredibly cohesive and musical album.
Morphology of a Lover is one of the albums included in my “Complete Works of Joel Kerr” Indiegogo perk. Thanks Ryan!
I mentioned Craig Pedersen in my very first blog post. He’s a creative and energetic trumpet player and composer, and we’ve been collaborating for a few years now.
I first met Craig on a weird gig back when I was living in Vancouver, which means it was probably 2007 (I don’t mean it was weird because it was 2007). A bunch of jazz guys from the University of Victoria came to town to play a one-off free jazz big band concert at 1067, and recruited some local guys to fill in a few key spots. Robin Jessome, a trombone player who is now living in Toronto, was leading the project. I’m not really sure how he got my name. Anyways, the gig was super fun even though there were more people in the band than in the audience (maybe 3 or 4 times as many). But because it was such a quick event and I didn’t really know anybody in the band beforehand, I didn’t really keep in touch with anybody.
One day, in the the summer of 2008, I was in Montreal looking for an apartment, just before moving here to do my Masters degree. I was walking down Jeanne-Mance, and I bumped into Craig, who recognized me from the gig in Vancouver. We chatted for a bit, and realized we have mutual friends (namely Amy Horvey), and we kept in touch after that. Over the years, our paths kept crossing, and our group of mutual friends grew quickly.
A couple years later, while living in Ottawa, Craig asked me to play in his quartet. I was out of school and was looking for gigs of any kind, so I said yes without really knowing what I was getting myself into. Luckily, I really connected with the music. His writing was (and still is) very melodic, which of course is essential in any kind of music, but I feel is especially important in experimental music – a strong melody in the midst of chaos gives the listener a connection to the music and the musicians – kind of a lifeline or beacon that creates a sense of security even if there isn’t really any.
And his band was killer! Linsey Wellman plays the alto sax the way I wish every alto player would, but only Linsey does. Mike Essoudry has an incredible ability to play the drums aggressively yet sensitively. Mike has since left the band, replaced by Eric Thibodeau, who is possibly my favourite drummer to play with in the world. He also has a very wide range of dynamics, styles and techniques at his disposal, but what I really love about his playing is that he’s not afraid to play very simply or use lots of space – he’s just as happy to sit on a simple quarter note groove as he is to play free.
Craig and I have recorded a lot together. With Craig’s quartet, we recorded the album Days Like Today a few years ago, and we’re releasing another one soon, called Ghosts. Craig, Eric and I released an album a couple years ago with Dominic Gobeil and Patrick Lampron, called Live In Silence, which was recorded live at the end of a Quebec tour. Craig also played on the latest Shtreiml album, Eastern Hora, and we’re currently working on a recording project for some of Malcolm Sailor‘s music. There’s probably more, too, but I can’t think of it right now. Oh yeah – Renée Yoxon & Mark Ferguson! All these albums are available as perks in my Indiegogo campaign!
Craig and I have put out a duo record, as well. It’s a mix of country and free jazz, and it’s called It’s a Free Country. I’m very proud of this album. The artwork is also amazing, illustrated and designed by the infamous cult artist Dave Cooper.
The Craig Pedersen Quartet plays often, and we have some tours coming up in the spring and summer, so come check us out – you’ll love it!